Briefly Noted

Romantic Comedy, by Curtis Sittenfeld (Random House). Flirting with the tropes of its namesake genre, this playful novel follows Sally, a writer on an “S.N.L.”-like show called “Night Owls,” who falls in love with one of its guest hosts. Their relationship develops via e-mail in the post-grocery-wiping, pre-vaccine days of Covid-19. When Sally decides to visit her beloved in L.A., their time together in his Topanga mansion requires her to navigate incredulity, insecurity, and an offer that she feels is an “affront to my independence.” The novel is preoccupied with the instinctual nature of self-sabotage, and with the fulfillment that can come from defying ingrained impulses.

Künstlers in Paradise, by Cathleen Schine (Henry Holt). Julian, a directionless young New Yorker, ventures west, to Venice Beach, to help care for his zesty ninety-three-year-old grandmother. When the pandemic descends, he finds himself sequestered indefinitely with her, as she recounts memories of her Anschluss-ruptured Vienna childhood and her family’s subsequent immigration to Hollywood, where she came to know legends including Arthur Schoenberg and Greta Garbo. The novel emphasizes echoes across history but explores intergenerational gaps, too, and—despite handling such weighty subject matter as survivor’s guilt, sexual repression, and the ongoing traumas of racial and religious persecution—maintains a remarkable lightness of tone and of characterization.